GZA
Pro Tools
Babygrande Records
By Eavvon O'Neal
GZA is truly a genius. His cannon demonstrates his lyricism and a mastery of slang that has helped earn the devotion of a generation of Wu-fans, proving that Wu-Tang is not just for the children, but for everyone. In the years since Liquid Swords he’s released albums either as a solo artist or as compilations, which carry his name but don’t present a cohesive approach as accessible (or interesting) as his first hit. Fortunately, Pro Tools, named after the production software (as you may have guessed), in its simplicity, allows GZA to re-enter the contemporary field of innovative and creative emcees.
Every beat on Pro Tools is constructed minimally, allowing GZA’s wordplay to be fully absorbed. And they need to be, because it is clear how much time is spent on word choice just from one listen. “0% Finance” is the track that ranks highest lyrically. It’s his ode to cars: the culture associated with them, and their place in conjunction with the American Dream. He flips metaphors and puns through car brand references, and a tale of a survival atop a beat that is nothing more than snare hits on the 2 & 4’s and a revving, monotonous guitar riff.
“Groundbreaking”, produced by GZA’s son, Justice Kareem, is an interesting work as both a track of lineage as well as a melding of father and son. That may seem too overarching, but this idea is embodied by the mashing of Kareem and GZA’s lyrics in choice spots: doubling the vocals and making them one dual pitched rapper. Another pillar of this album is the diss track “Paper Plates.” It’s great because it’s tough and spiteful, and is comparable to the smart kid one-upping the tough jock kid at his own game.
While these standout tracks are choice gems among a collection of bright, shiny things, other tracks struggle to come close. “Pencil” featuring RZA & Masta Killa, “Alphabets”, and “Life Is A Movie” are clutch second tier records, but ultimately these tracks don’t allow us the abity to zone out and be captured by the story like others, and prevent Pro Tools’ greatness.
GZA has openly stated that he’s already in the throws of prepping his next album. He’s writing, considering producers, and is concentrating on an album that will boast no guest appearances—just GZA, carrying his own weight. But for now, Pro Tools must shoulder his audience; Let’s hope it’s not too long until the next album.
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