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Division Day
Beartrap Island
self-released

By David Barker

Beartrap Island is a triumphant debut LP, as worthy of praise for its substance as for its DIY aesthetic and sonic diversity.  Division Day coalesced in 2001 when its four members took up residence in that bastion of creativity and progress that is a friend’s bedroom.  The Los Angeles natives are one of a slew of bands to be canonized by the recent explosion of mp3 blogs, but Division Day are one of few who are actually deserving of the hype.  Beartrap Island follows up two EPs from the band; 2004’s The Mean Way In and an earlier, eponymous one that’s since gone out of print.   

Basically, Beartrap Island is a grab-bag.  Reaching in blindly and unprepared, you’ll be clueless when it comes to expectations.  “Catch Your Death” opens with hard-hitting cymbal crashes and jarring keys before segueing into restrained melody capitalizing on Rohner Segnitz’s effective vocal style—not over the top, and not understated, but cognizant of its emotive abilities.  “Hurricane” is almost country-tinged, its wistful vocals breezily carried over guitar work that yearns to delve into a twang, but steadies itself on a sturdy bassline and foreboding lyrics (“I will make it like a real hurricane/you will know my color!”) before climaxing in (paradoxical as it sounds) sunny melancholy.  The reserved, minimal percussion and rhythm of “Hand to the Sound” complements its seemingly-nonsensical, albeit interesting lyrical approach.  Segnitz rambles on singing adders, jackals and sparrows; while its allegory may or may not exist, the song either proves its writer’s brilliance or bizarre imagination, a point on which I’m unsure as well.  “Tigers” is what bands like Taking Back Sunday would create if they weren’t preoccupied with its following of teenage girls, as the track is probably the record’s most accessible, straight-forward number and has a steady, driving rhythm pushing through the repetitious exclamation of “I want your blood inside my head.” 

Where Beartrap Island may miss in the cohesive record department, it makes up for in its original approach to songwriting and the songs’ elusive meanings.  Whether cranking out noisy guitars or bordering on quirky pop melodies, Division Day are a competent and compelling bunch, leaving little to be desired and catering to no particular audience.

 


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